Natalie Z. Briones is a concert veteran. She’s been to heavy metal concerts and a punk music festival where she napped most of the time. On Sunday, she attended her first baby rave.
Natalie is a few months shy of two. In the arms of her dad, Alvin Briones, 36, the pigtailed toddler squealed “Hi!” to anyone passing by the Roxy Theatre in West Hollywood where the Briones family was lined up to meet Lenny Pearce, the mastermind behind Natalie’s favorite song, “The Wheels on the Bus.”
Natalie Z. Briones, held by her father Alvin Briones, sports rainbow face paint at the baby rave.
(Elizabeth Weinberg / For The Times)
It’s not the classic version most parents sing while slowly swaying and clapping — Pearce’s rendition rages with enough bass to rattle rib cages. Natalie is here for it, and so is her mom, Alondra Briones, who plays the techno remix during her drives to work even without Natalie in the backseat.
“It’s a pick-me-up,” said Alondra, 28, from Compton, before filing into the theater with other parents and caregivers for an afternoon rager with their kids.
In Pearce’s techno remixes of classic children’s music, an unexpected subgenre is taking off — toddler techno — which melds the cloyingly sweet lyrics of songs like “Head, Shoulders, Knees and Toes” with the edgy beat drops associated with music from gritty warehouse parties.
The unlikely musical pairing creates a bridge between parents like Sandra Mikhail and her 6-year-old daughter, Mila. Both dressed in fuchsia at Pearce’s dance party, the mother-daughter duo were there to celebrate Mila’s promotion from kindergarten. In their Riverside home, Pearce’s music is on heavy rotation.
Children squeal in delight at the baby rave at the Roxy as Kuma the money, Lenny Pearce’s sidekick, hypes up the crowd.
“I can handle kids’ music now,” said Sandra, 38. “With the beat and [Pearce] adding that techno touch to it, it makes me able to tolerate listening to it all day long.”
For the last year, Pearce has been hosting sold-out dance parties boldly called baby raves — first in his native Australia — then on the first leg of his U.S. tour, which culminated in a June 29 double-header at the Roxy.
In the afternoon show timed for that sweet spot many parents know well — post-nap and right before the evening witching hours — Pearce pranced, high-fived kids and waved at babies being hoisted in the air.
Lenny Pearce vibes with the crowd at his sold-out show at the Roxy.
(Elizabeth Weinberg / For The Times)
At 34, he’s been an entertainer for most of his life. Over a decade ago, he was dancing in music videos as a member of the Australian boy band, Justice Crew. Now, he’s firmly affixed in his dad era. His dance partner is now a large balloon spider named Incy Wincy.
“I’m just being a dad on stage,” said Pearce in a video interview from New York. “I can make a clown of myself to entertain kids.”
From boy band to toddler techno
Lenny Pearce uses props during his shows, including an inflatable duck.
(Elizabeth Weinberg / For The Times)
Pearce’s journey into children’s entertainment seemed preordained, if only because his identical twin brother is arguably the second most famous purple character on a children’s TV show (behind Barney, of course).
“We’re both in the toddler scene,” said John Pearce, the older twin by minutes, who in 2021 joined “The Wiggles” cast as the Purple Wiggle. “[My brother’s] stuck with it for a long time, and it’s all paid off now.”
At the Roxy, many parents and caregivers said they found Pearce through the Purple Wiggle. Others discovered him on social media: He has more than 2 million followers on TikTok and more than 1 million followers on Instagram.
Before becoming children’s entertainers, the Pearce brothers were members of Justice Crew, a dance troupe that won “Australia’s Got Talent” in 2010. For a few years, the boy band’s future burned white hot with the aspiration to break through in the U.S. — a dream that never materialized.
Lenny Pearce started making what he calls toddler techno music after his daughter was born in 2022. As a dad, he says he’s happy to act silly for kids.
Most boy bands have a finite time in the spotlight, said Pearce. In 2016, he quit the Justice Crew to focus on DJing and music production, but the transition from boy band to toddler techno didn’t happen overnight. For a time, he worked as a salesperson at an Australian electronic store.
“People were like, ‘Aren’t you from Justice Crew?’” he said. “And I’m like, ‘Yeah. Now, do you want this lens with that camera?’”
In 2022, becoming a dad to his daughter Mila changed the course of his creativity. Pearce started remixing children’s songs with “ravey” music and filming himself dancing with her to the songs. Soon, other parents started sharing videos of their kids dancing to his songs, too. In this way, social media allows for ideas to be refined until something sticks.
In March, Pearce released his first solo album aptly titled, “Toddler Techno.”
All along the way, he imagined playing these songs at mini raves. For this generation of kids and their millennial parents, it’s not a stretch, said Pearce. Pretend DJ tables are just as commonly sold in toy aisles as construction trucks.
In the fall, Pearce and his baby raves will return to the U.S. — and, yes, to L.A. — in a 30-city tour. As a solo artist, he’s done what he couldn’t do in a band — he’s broken through to the U.S. and international audiences.
“It’s funny, isn’t it?” said Pearce. “I always felt like I had something to say, but no one really listened.”
But are techno parties OK for kids?
Many attendees at the baby rave were wearing ear covers.
(Elizabeth Weinberg / For The Times)
The roots of techno — in Detroit or Berlin depending on whom you talk to — were always antiestablishment, said Ambrus Deak, program manager of music production at the Los Angeles Film School.
“It was exploratory,” said Deak, a longtime DJ who went by DJ AMB, about techno.
Toddler techno plays with that contrast — an edgy genre made safe for kids. Deak would not attend a baby rave — “It would be very cringe for me,” he said — but sees the appeal.
“I can definitely see a lot of people being into it,” said Deak, 48.
Still, not everyone is sold on the idea of taking kids to a rave — even one held in the middle of the day with a face-painting station. In the comments of Pearce’s social media posts, parents occasionally debate the appropriateness of exposing kids to drug-addled rave culture.
“I know that most people would say, ‘Is this the image we want to teach our kids?’” said Pearce. “What image are you imagining? Because if you think about it, they’re just kids with light sticks, right?”
He gets the concern, but kids don’t know about the darker sides of raves unless they are taught. And that’s not what his baby raves are about.
In the right dose, some experts say techno music and baby raves can be beneficial for kids and parents.
“Parents’ happiness and stress regulation also matter,” said Jenna Marcovitz, director of the UCLA Health Music Therapy program. “Techno can promote oxytocin and boost endorphins. It can encourage joy and play and really support brain development, emotional regulation and really enhance the parent-child bond as well.”
At the Roxy, one man vigorously pumped his fist to the beat of the music.
“Fist pump like this!” he shouted to the child on his shoulders. Both fists — little and big — jabbed the air.
How to keep it safe and sane
Glow sticks were a popular accessory at the event.
(Elizabeth Weinberg / For The Times)
Everything — especially baby raves — should be enjoyed in moderation. The pulsating music, giant inflatables tossed into the crowd and sudden blasts of fog can overstimulate kids.
For the roughly one-hour show, the music is loud. Typically set to 85 to 90 decibels, Pearce said. Having a sensory support plan is key, said Marcovitz, who recommends toddlers wear headphones with a noise reduction rating of 20 to 30 decibels or higher — like this one or this one. Practicing dance parties at home, so your child knows what to expect, is also helpful.
At the rave, look for signs of overstimulation, which can present differently with each child — some might shut down while others might start shoving each other mosh pit-style. At the Roxy show, one toddler sat down, ate half a bag of Goldfish crackers and poured the rest on the floor. Another disappeared into the crowd for a few alarming moments before being returned by a good Samaritan.
Toddlers crawl and lay down amid the crowd at the baby rave.
(Elizabeth Weinberg / For The Times)
“For any child, I would recommend breaks every 30 minutes,” said Marcovitz. “Step outside.”
Because techno hypes people up — even little kids — it’s important to help a child regulate their nervous system back down after the show.
“Lots of cuddles, silence and hugs,” said Marcovitz.
Pearce also starts the party late, so the dance party before the rave can tucker kids out before he takes the stage.
Ashley and Todd Herles drove from Santa Clarita to the Roxy so their son, Oliver, 3, could meet Pearce before the show. They said they bought $120 VIP tickets, which included a meet and greet and table seats where Oliver got to high-five Kuma, Pearce’s dancing sidekick in a turquoise monkey suit. For Pearce’s November 23 show at the Novo in downtown Los Angeles, ticket prices currently range from $48 to $195, fees and taxes included.
Overall, Oliver loved it — until he didn’t.
“[The] meltdown happened around 1:40 so we left then,” said Ashley, 40.
They had big post-rave plans to refuel with french fries. But Oliver was tired.
And, most importantly?
“Our backs hurt,” said Ashley.
Children bopped along to the music from atop their parents’ shoulders during the dance party.
