‘Dahomey’ review: African art returns home, colonialism stings
A long-silent voice from a distant past — eerie and reverberating — awakens in the climate-controlled, antiseptic chambers of a Paris museum. The forum through which this entity communicates to us is Mati Diop’s “Dahomey.” The French Senegalese filmmaker returns with a rich and absorbing exploration of the specter of colonialism that continues the enthralling,